About this 3D model

Joan Miró, in 1940, became interested in the development of volumetric dimension in his productions. At that time Joan Miró put in great commitment and motivation in the achievement of his sculptural work, which is when the surreal aspect to his work became a lot more evident, with an interest to include object assemblages. This sculpture acquires body and with it, signs of identity, integrated in the urbanized space of Paris.