About this 3D model

Rodin must have been very impressed by Carpeaux’s Ugolino (1861, Musée d’Orsay), the famous sculpture whose dramatic subject was drawn from Dante’s Divine Comedy. Twenty years later, after receiving the commission for The Gates of Hell, he made several sketches of this Dantesque theme dear to the Romantics: imprisoned, driven crazy by hunger, Ugolino, Count of Gheradesca, devoured his dead children, a crime for which he was eternally damned. This is one of the plaster models created in preparation for the major group piece, which was later to be featured on his Gates of Hell as well as a freestanding version.